Divine Comedy - Sin and Judgment in Dantes Inferno Essay -- Divine Co

Dantes Concept of offense and Judgment in The Inferno Infidelity, murder, betrayal, and conspiracy each(prenominal) play an constitutive(a) part in the story of the relationship between Jason and Medea. Jason is guilty of all four acts and Medea involves herself in three. Yet, perhaps, in the eyes of Dante, Medea might fall barely into the realm of Dis than Jason. But, should she? And, is Dantes view of Jason and his sentence in glare appropriate? From Dantes perspective, crimes of cult or desire are the least abhorrent and consequently merit minimal punishment in comparison to what he believes are the more(prenominal) serious offenses. These sinners, the carnal, the gluttonous, the hoarders and wasters, along with the wrathful and sullen fall just infra the virtuous pagans in Dantes hell. In some way, they represent a leaving of self control, of reason gone amiss, as each plunges into a own(prenominal) world of self indulgence. To Dante, those that succumb to the pleasures of the will deserve an timelessness less saddle-sore than those who fall into emotional or psychological despair. Yet, like the sins that constitute post deeper in the bowels of Hell, all represent a punishment equal to or reflective of the sin as it existed in life. For example, the carnal are banished to an eternity of being whirled about by the wind (Dante) forever lusting after what they sought-after(a) in life. They reach for shadows that were once the bodies they desired. However, in Hell the only affaire they feel is the passion they lost. Next, Dante describes the sinners who dwell within the walls of Dis. Confined to the city of Hell are the heretics and those who commit acts of violence against either their neighbors, themselves, or God, art, or... ...f transgressions, betrayal of ones benefactor, and two deserve to torment each other for eternity in the stigmatize of Hell. Works Cited Dante. The Inferno. Trans. John Ciardi. ups tart York Penguin, 1954. Euripides. Medea. Trans. Rex Warner. New York Dover, 1993. Hamilton, Edith. Mythology Timeless Tales of Gods and Heroes. New York Penguin, 1969. Ovid. Metamorphoses. Trans. A.D. Melville. New York Oxford UP, 1986.