Racism in William Shakespeare’s Othello Essay -- GCSE Coursework Shake

Racism in William Shakespeares Othello In William Shakespeares tragic play Othello racism is featured doneout, non only by Iago in his despicable animalistic remarks about Othellos marriage, but also by other characters. Let us in this essay analyze the racial references and their degrees of implicit racism. Racism persists from the opening scope till the closing scene in this play. In Historical Differences misogyny and Othello Valerie Wayne comments on the racism inherent in the final act of the bid When Othello finally kills himself-importance and says he is killing the turbaned Turk who beat a Venetian and traduced the state (V, ii, 349-50), he is killing the monster he became through Iagos mental poison, but he is also killing the only heathenish and racial other of the play. To be more precise, he is killing that self who is the other, the Turk or the Moor, as an act of Venetian patriotism. Just as i woman was praised by Iago for becoming a wight through limit her behavi or to the requirements of men, so Othello becomes flannel both virtuous and Venetian through annihilating his alien self. (168) Could any lesser playwright have presented a black man as the hero of a tragedy? bloody shame Ann Frese Witt in Black and whitened Symbols in Othello would answer this question negatively It was then something of a feat for Shakespeare, and a testimony to his genius, to present a black man as the hero of a tragedy. Playing upon his hearings preconceptions, Shakespeare makes an original, rich use of black and white symbolism throughout the play. It is the black man who is inwardly pure, and it is a seemingly honest white man (and a soldier, a type usually portrayed as genuinely honest) who is inwardly e... ...espeare. Princeton University. 1996. http//www.eiu.edu/multilit/studyabroad/othello/othello_all.html No line nos. Wayne, Valerie. Historical Differences Misogyny and Othello. The way out of Difference Materialist Feminist Criticism of Shakespear e. Ed Valerie Wayne. Ithaca, NY Cornell University Press, 1991. Witt, Mary Ann Frese, et al., eds. Black and White Symbols in Othello. The Humanities Cultural Roots and Continuities. Vol.1. Lexington, MA D.C. Heath, 1985. Rpt. in Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Wright, Louis B. and Virginia A. LaMar. The Engaging Qualities of Othello. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Reprint from Introduction to The Tragedy of Othello, the Moor of Venice by William Shakespeare. N. p. Simon and Schuster, Inc., 1957.